Why We Do This Sh*t

It didn’t start with a business plan. It started with a heartbeat.
My son was born three months early, and suddenly life wasn’t guaranteed. It was fragile. Tender. Brutal. Beautiful. I picked up a camera — not to make something perfect, but to remember. To hold on to what mattered before it slipped away.

That instinct — to notice, to feel, to preserve — never left. It became the way I see the world. And now, over a thousand weddings later, it’s still why I do this.

Because weddings aren’t just about the day. They’re about people. Energy. Emotion. The way it all collides, raw and unrepeatable. They’re about freezing something fragile before it’s gone.

Most mornings you’ll find me in the ocean — no phone, no noise, just presence. That rhythm shapes how I shoot, too. Slow. Grounded. Awake.

We don’t pose you into strangers. We don’t choreograph your story. We guide when it’s needed and fuck off when it’s not. What we care about are the moments that feel like home — the ones you’ll ache for when the dust settles.

This is documentary storytelling with an editorial eye — real life, but beautiful as hell. The unspoken. The in-between. The heartbeat inside it all.

And because this work has always been bigger than us, every wedding funds a child’s education in Bali. $100 from every booking goes to the Bali Children’s Foundation — supporting kids from primary school through to university. Passing the love forward, one story at a time.

And Film photography? Sometimes we bring it. Sometimes we don’t. It’s never planned. Film slows you down. It asks you to be present. It captures feeling in a way digital never will — raw, imperfect, nostalgic.